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John & Rico's

"The Zsolnay Store"

of

The Drawing Room Antiques

Antique Secession Gallery

Art Nouveau Pottery

1895-1920

Offering some of the finest example of Zsolnay in the market today.

152 Spring Street Newport RI 02840 {USA}

1-401-841-5060 cell 1-401-261-3980

Email: drawrm@hotmail.com


Investing in Zsolnay. Buying period Art Nouveau Zsolnay as an investment is a question that is frequently asked of us by collectors and potential collectors. The best examples of Art Nouveau Zsolnay can be very costly. We recommend that one should shop around, buy books about Zsolnay (there are a number in the market place today) and visit galleries that specialize in Zsolnay Pottery. Spending tens of thousands of dollars on a single Zsolnay vase is not for the casual collector. With a resurgence in interest in Art Nouveau Decorative Arts, Zsolnay prices are well within the range of the best period Nouveau antiques. Tiffany lamps start in the $30,000.00 range with the high end costing hundreds of thousands. The liquidity (the ability to quickly sell ) of any decorative arts purchased as an investment should be looked at as a long term investment. Enjoy the beauty of the items, decorate your home with the best and most personally appealing examples; but plan on holding them as long term investments.


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Click here to see an archival of Zsolnay sold over the years from our Newport Gallery

{Click on each image for more photos of the object} Gift wrapping is available for smaller items and of course we can ship purchases to most destinations via UPS, U.S. Postal or Fedex.

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Offering Museum Quality examples of rare Zsolnay Tiles. Just click on the above to go to our Tile Site.


# 5533. A Zsolnay Art Nouveau Era cylinder vase. Form # 7181?: hard to read. Purple, gold, green, and red Eosin Glazes. 8.25" tall. The purple/ blue background is detailed with vertical lines and massed circles. Green/gold eosin leaves with red flowers that appear to be Geraniums. Printed dotted factory mark of the era. Condition: a very tiny pin prick flake on the bottom edge of the base. Inquiries.


# 4755. A war time propaganda -armed and vigilant shepard wearing an elaborate Hungarian sheepskin cloak (szür). Form issued November 24, 1915 and titled " The Armed Sheperd " Designed by Ferenc Szezsák Kolozsvári who was a sculptor at the Zsolnay Factory. Size: 16.5" tall. Marks: round raised mark of the era and incised form number 8848. Condition: back right base edge flake; firing crack viewed on the inside, minor flakes to the raised decorated cloak. This form pre-dates Tom of Finland by decades, yet the sculpture could have been a model for Tom's style, which was to become his trademark. The Shepard holds a rifle, which rests on the base, between his hands. P.O.R.


# 5129. A Secession or Art Nouveau Zsolnay table lamp. Titled "Dragon Fire" four Dragons surround the base of the lamp breathing billowy fire to the top where the font is set into the rim. The vase itself is about 19" tall. The metalwork (copper) font and rim are finely made, conforming to the rim of the vase. Round raised factory mark of the era. Form number 5940 dating this extraordinary Zsolnay item to 1900. Each of the dragons is in high relief. Condition: glaze lines in the base. The metal work is period to the vase. There are no apparent restorations. The font and metal work frame (two separate pieces) easily remove from the top revealing a finished edge as if this item could have been made to be just a vase. It is a very successful kerosene lamp. The separation of color: gold plumes of 'fire' are in contrast against the eosin blue background. P.O.R.


# 5398. A High Style Art Nouveau Vase made at the Zsolnay Factory of Pecs Hungary. Form Number 5475. Circa 1899. Size: 22.5" tall. Marks: hand scribed form number "5475" and the letter "M"; suspect tha there was a painted mark in the center of the underside that has been worn away. Though there is no factory zsolnay mark, the incised form number and the letter "M" without a doubt indicate that this extraordinary vase was made at the Zsolnay factory. Condition: This vase has had restoration to the upper lip decoration. Hard to tell how much, the overpainting was very well executed. With two world wars and a cultural revolution, much Zsolnay has had restoration that comes on the market today. P.O.R.


# 5396. A Folkloric era form with a Secession Era Decor. Marks: "224" "0" "Zsolnay - Pecs". This simple jug with its form created in the beginning of the Zsolnay factory was revived in the early 20th century with a Wiener Werkstatte decor copying related textile and wallpaper designs by Franz von Zulow ( It was easy to discover works by Vienna artist via Internationl Exhibition and shops in Vienna and Budapest) . Colorful flowers and bare branch trees cover the surface with a black background. Believed decorated by Geza Nikelszki, born in 1899. He worked at the Zsolnay factory for 52 years until 1926 and played an important role in the establishment of the Zsolnay Museum at the Janus Pannonius Museum in Pecs Hungary. This decor was used on different forms, this is the first one we have seen on this form. Size: 6.75" tall. Condition: a top rim edge flake - in the black - about .35" across. The paint decoration is slightly raised. Production of this decor is extremely rare and few examples come on the market today. We date this piece between 1910 and 1920. Price on Request.


# 259. Form # 7144. Circa 1903. Gres with raised Eosin Acid Etched Decoration of a landscape. Colors: vibrant metallic green trees; red lines and copperesque shaft of stylized clouds. Nabis style decoration. Size: 5.5" tall and 7.5" diameter. Condition: Minor bottom edge rim chips. P.O.R.


# 5362. A Miniature Secession era Zsolnay Vase. Size: 4.2" x 3.15". Form number 5330. Decor number 2751. Zsolnay Factory printed mark. Condition: tiny glaze scratches below the lip; glaze mis-firing at the rim-notating these flaws in the detailed images. The red eosin flowers are against a metallic blue eosin glaze with very metallic gold leaves spaced inbetween the red flowers. An identical vase is pictured in Laszlo Guygyi's book "Zsolnay Art Pottery" on page 139. P.O.R.


# 258. A Zsolnay vase of exceptional glaze and decor. Metallic blue and silver Eosin glaze with a very faint copper/lilac Eosin hue over a form of lilies and leaves. Hand etched form number 5424 which may indicate a prototype design. C. 1898-1900. The clay body is very heavy. 10½" tall. Hand drawn circular factory mark. Excellent condition: no restorations or chips; minor stress line on the underside. This quality of design and decor rarely come on the market these days. P.O.R.


# 5379. A fine and rare miniature Zsolnay Secession Era Vase. Size: 5.25" tall. White background the Hungarian Folkloric Decor. Colors: Metallic green Eosin leaves with red, ochre, brown and yellow flower colors. Design attributed to Nador Blum. Form # 7242 dating this example to 1903. Round raised Zsolnay Factory Mark. Condition: perfect. P.O.R.


# 254. Pan Pitcher. Form # 6102. C. 1900. Size: 8.25" tall. Factory Mark: round raised factory mark of the era; incised form number. On the side is impressed the artist incised "acorn" mark for Lajos Mack. A Green marbled metallic eosin glaze over the body of the pitcher; the handle is represented by the Faun or Pan covered with a dull red eosin glaze. Condition: there is a small glaze 'loss' that we believe was factory issued on the foot of the green pitcher base as noted in the detailed images. P.O.R.


# 5382. A Secession - Art Nouveau era Zsolnay Cachepot. Form number very hard to read, but it looks like 6666 which would date it around 1901. Two putti hold a ribbon around a pot. The sang de boeuf colored pot has contrasting secession and Hungarian folkloric decor. The putti and pot sit on a granite colored short plinth. Hints of purple and green metallic eosin highlight the raised decor. There is a definite Vienna influence in this item with the use of the putti. Size: 5" tall and 5.5" across at the widest. Condition: scratches on the flat rim of the pot, very hard to photograph. Putti seldom surface in Zsolnay decor and we suspect that most putti designed pieces were from the same artist. Round raised factory mark and faint incised form number. P.O.R.


Item # 227. A Zsolnay Pitcher. Late Secession era. Size: 9.5" tall. Condition: minor areas where the glaze did not adhere to the body of the pitcher. No restorations, chips. Marks: round raised factory mark of the era and incised initials: "S F". There is no form number however the form number for this pitcher is 8925. C. 1918. This is late production for the factory. The glaze is reminiscent of a glass box vase pictured on page 7 of Waltraud Neuwirth's "Bluhender Jugendstil" Band 1; described as a "Vase; Joh. Lotz Witwe, Klostermuhle". Glaze in the style of Loetz Papillon glass.The images pictures a silver spotted decoration against a darker silver blue ground. Concerning the incised " S F", we can find no artist who worked at the factory with those initials. The main decoration is a oil spotted metallic eosin silver over a blue metallic eosin background, the raised ribbon decorations are lilac / copper eosin. The glaze on this small pitcher is about as fine as was produced at the Zsolnay factory. P.O.R.


# 320. A floor vase from the Zsolnay Factory. Form number 5902 dating it 1900. This year the factory released the most number of art forms in its history. The important vase was designed by Lajos Mack. Size: 28.25" tall (67.7 cm) foot diameter 24.5 cm and mouth diameter 13.3 cm. Original design in the Zsolnay factory form book No. 9; drawing No. 5902. Identical vases published in catalogues, books, etc. and shown in many exhibitions including most recently at BARD College in New York City. Background glaze: purple faintly dully metallic with in relief three figures (pan and two women) in dull gold metallic glazes. The color separation is very good with the figures and trees show in contrast to the background. Condition: foot edge flake and under base leading into the body of the vase as shown in one of the detailed images and just above the base on opposite sides of the vase a scuff marks in the glaze. The symbolism represents 'Arcady' with its idyllic pastoral scene. The Faun (pan) figure playing its pipe representing a shepherd here represents all nature. P.O.R.


# 5367. A fine and rare miniature Zsolnay Vase. Egyptian decor. Size: 3 5/8" tall. Painted Zsolnay Factory mark; incised form number "180" "7794" and "Zsolnay Pecs". The form number dates this vase to 1904-1905. To figural sides: one with a nubian and other with a female figure. Condition: tiny flea bite on the base rim; glaze loss to the top rim as shown in one of the detailed images. Egyptian decor Zsolnay pieces seldom come on the market. P.O.R.


# 300. A Zsolnay Secession or Art Nouveau era vase. Size: app. 9" or 23 cm tall. Marked: "Zsolnay Pecs" and the form number "6466" and a factory tower mark dating this vase between 1915 and 1920. This form we believe was originally cast in Gres, a very heavy stone like material. This later casting of this form by the Zsolnay factory is of standard clay with the difference from other similar forms being an overall Eosin Glaze. The background is a very metallic blue Eosin with the Geranium leaves a very faint Green Eosin with predominant ochre colors. The flowers are very red ranging from bright to dark maroon. Condition: there may or may not be an over painted bottom rim flake as noted in the detailed images. We have seen this form several times over the years: this glaze is exceptional and rare. We do not know who the artist was that worked for the Zsolnay factory that designed this form. It is very high style, utilizing the concept of flowers and leaves to 'create' the form. P.O.R.


# 5366. An organic form Zsolnay Pitcher. Form number 5324 dating it to 1899. Size: 7.25" tall. Painted round factory mark; incised "Zsolnay Pecs" - hand scribed "5324" and an incised letter "M". Condition: as shown in one of the detailed images a small glaze scratch 1" down from the lip showing the white clay ground under the glaze. An identical form is pictured on page 170-figure 344 of "Zsolnay Art Pottery" The Gyugyi Collection. Description for this form in that book: "Exhibited : Paris 1900; Darmstadt Kunstsalon 1901; Leipzig Kunstgewerbe Museum 1901. Notated "unicum" (unique)." Original photo group picture on page 51 of "Szecessziós Zsolnay kerámia" written by Kovács Orsolya. Lusterous metallic blue Eosin glaze highlight the base with pale ochre colors along the handle and spout with hints of blue Eosin throughout. P.O.R.


# 5065. A circa 1900 vase. Form number 6108. Size 8" tall. This vase appears from time to time with this glaze shown as good as it gets. A Mermaid and Merman hang onto to an outcropping of rock with a blue metallic Eosin sea swirling around them. Flashes of green Eosin swirl in the blue Eosin sea. A pair of sea creatures in relief also appear in the water. The figures are covered in white matt glaze while their hair is a yellow/ochre color, the two sea creatures in majolica glazes, one with a faint Eosin highlight; the sea or water is purple / blue metallic Eosin. Interesting that this representation of a mer/creature has fins for each leg. Condition: minor scuffs consistent with use and age. There is a white glazed raised area about 1/8" diameter at the foot which may or may not be a restoration. This form has been documented in books and literature about Zsolnay over the years. P.O.R.


# 5363. Name Card Holder: reclining female figure with snake. Form number 6271 dating this item 1901. Size: approximately 16" x 12" x 8" tall. The glaze appears for the most part copper Eosin - the snake is gold Eosin, there are undertones of blue, lavender Eosin throughout the bowl; the ripples in the water are very well defined and highlighted with subtle Eosin glazes. Factory round raised mark and incised form number 6271. Condition: the left side of the form from the right hand of the figure to her shoulder has been repaired; considerable overpainting hides the extent of the restoration. There are no other condition issues with this piece. Detailed images show the extent of the repair. This design was created by Mihály Kapás Nagy 1864-1943. Artist, craftsman, sculptor, from 1888 to 1942. With small interruptions, he was employed by the Zsolnay Factory as an artist-craftsman and sculpture. He was one of the artist teaching at the technical school for ceramics run by the Zsolnay factory. His job was to design and execute sample pieces. He designed many plastically decorated models manufactured in high numbers. An identical form with green glaze is pictured on page 258 - Figure 517 of "Zsolnay Art Pottery - The Gyugyi Collection." P.O.R.


# 5419. A Secession or Art Nouveau Zsolnay vase. Marks: Printed dotted circle Zsolnay Factory mark; incised "Zsolnay Pecs" form number "5385" "5" "21" and at some time in the past this was scratched into the underside "7298". Size 9.25" tall and 4.15" base diameter. Condition: one of the two hand modeled ribbon forms was broken from the body and re-attached. Glaze scratches and glaze loss as shown in the detailed images. There were variations of this form with similar designs. The glaze is Labrador with subtle gray background with blue and silver streaking. Despite the condition, this is a rare form dating 1899. Modern in design and glaze. P.O.R.


# 5038. A Secession - Art Nouveau - form Zsolnay vase. Form number 5750 and so incised. Size: 9" tall and 4.5" diameter. Condition: surface scuffs consistent with use and age; a glaze line (non photographable) from the top edge through one of the red glazed flowers 1.5" down into the vase, inside and outside. No restorations or overpainting. The Glaze is original. Design by Lajos Mack. c. 1898-1900. Mack made a number of designs using this undulating vine to flower decor including a plaquette that was intended to be hung on a wall. This flower and tendril form seems to be the most pleasing of this design. A form that surfaces from time to time with different glaze colorations. This one incorporates green, red, purple, and blue Eosin glazes in a well defined design. The only marks are the incised factory form number. Our item # 141 is an identical design used in a Cachepot. P.O.R.


# 5381. An Art Nouveau Zsolnay Cachepot. Form # 7950-dating the form to 1906 - however the painted Zsolnay Factory mark indicate that this is a 1925-30 restrike. Entire gold Eosin glaze. Condition: the left female figure's head was broken off and re-attached with gold paint in evidence in the repair. Size: 11" x 4.5" x 4.25". Scuffs to the glaze consistent with use and age. Probably by the artist Nagy. P.O.R.


# 5402. A Secession - Art Nouveau - era Zsolnay Vase. Size: 11.75" tall / base 4" diameter / top 3.5" diameter. Marks: incised form # "5232" - "1" - "36" and a faintly incised Zsolnay mark plus an under glaze dotted circa 1899-1900 factory mark. A deep purple eosin background showcases an undulating art nouveau decor of leaves flowers and stylized vines and roots; all very symetrical in design. The decorated colors are eosin green, eosin red, and eosin gold with bright eosin tracery around much of the design. Condition: one or two tiny pinpoint 'scratches' consistent with use and age. This decor relates to two vases in Laszlo Guygi's excellent book: pages 136, figure 281 "Vase with stylized leaves and flowers, 1899" and page 138, figure 288 "Vase with stylized leaves and flowers, 1899. Offers kindly accepted.


# 5365. A Secession Zsolnay Vase designed by Sándor Hidasy Pilló. Form # 8692 with a production year 1913 (the last year he worked at the Zsolnay Factory). Painted Zsolnay Factory mark and incised form number 8692. Size: 6" tall and 4.5" diameter at the widest. Hidasy designed decors using panthers and leopards for other vases. Sándor Hidasy Pilló was born in 1886. Artist, craftsman, painter. Studied as a painter at the National Hungarian Royal School of Applied Arts, between 1901 and 1905, then worked in the employment of the Zsolnay Factory from 1906-1913. As a designer of early Art Deco forms and creator of geometrical decor, by the year 1910, he was acknowledged as a significant designer to the point that he was able to sign pieces with his signature, something that the Zsolnay Factory discouraged. Three circles depict a cat encircled by silver eosin dots. Marbled and Eosin and glazes are used to color circles, triangles and Secession stylized decorations. The Eosin glazes include green, gold, red, blue, and purple. Well defined yet subtle metallic Eosin colors highlight this decor. Condition: base edge flake, well restored, encompass two triangles decorations. A similar decor is pictured on page 142 of Richard Stattners' fine book "Zsolnay Masterpieces of Hungarian Art Nouveau" P.O.R.


# 120. A pair of important Zsolnay Candelabras. Size: 18.5" tall. Circa 1930. Designed by Geza Nikelszky. In the Byzantine Romanesque Revival Style. Material is probably Pyrogranite: they are very heavy. Each candelabra hold three over sized candles. The glazes: the background glaze is putty colored with extensive glaze crackelature; most of the raised decoration is gold/eosin with hints of green eosin; the other color is a steel blue with a glossy finish; the tips of the central candle cup is surrounded by round gold beads tipped with green eosin beads. The look of these candelabras is meant to represent something older in style than the 1930's. They are massive in appearance. Condition: as noted in the photos, one of the pair has been broken at the base of the column and repaired, the other has a green eosin tip missing above the gold eosin bead. One is marked with the factory incised mark and the numbers 2732 which is a form number from the Architectural Form Books. Identical designs are displayed in literature (page 134 of "Zsolnay" ISBN 963 368 802 7; and the pair are pictured in "Zsolnay Ceramics Collecting a Culture" with a full page photo on page 149. P.O.R.


# 5364. A Secession era Pan Form 'lamp'. Form # 6236 dating this form 1901. Size: 10.1" x 8.7" x 5". This form was modeled by Lajos Mack and was first exhibited in Darmstadt in 1901. The glaze is a pale slightly streaked green with ochre undertones. We have had this form a few times over the years and this one seems to be more crisp showing details, especially the muscles of the pan figure. The form was created to be a lamp; however this particular example, though it does have the interior cup, could not have been fitted for electricity: there is not hole in the interior cup for the electric cord to exit and the base has no indentation for the cord to exit the base. This example does not have the acorn mark for Lajos Mack. This may be a singular example of the Pan Lamp form that is not a lamp. We know of no other such example. Round raised Zsolnay Factory mark and incised form number 6236. Condition: interior under edge base flake. P.O.R.


# 257. A unusually large Zsolnay Charger. Size 25.5" diameter. Form number 5440. Circa 1900. Majolica and Eosin Glazes with a very shiny luster glaze. The subject is the "Legend of St. {King} Laszlo" Mounted with metal hanging braces. This charger has traveled in its lifetime from Pecs, to Cologne, to London to Newport and perhaps even other destinations. Condition: there has been a restoration to the right lower quadrant (between 3 p.m. and 5 p.m.) The restoration was excellent and not noticeable. We are unable to make shipping arrangement for this item because of its unusual size. P.O.R.


Item # 307. A period Art Nouveau Zsolnay Architectural Tulip form wall decoration. Marked on the reverse with the incised factory mark and the Architectural Form numbers: " 3320." Circa 1900-1905. Probably part of a larger ensemble and because the material is frost resistent Pyrogranite, it was probably used as an exterior decoration. The main color is Gold Eosin with a little green showing throught. Pre-cast holes (2) so that the form could be mounted. Condition: scuffs and tiny flakes consistent with use and age; no cracks or repairs. The center of the tulip where the top hole has a flake about .25" across and a couple of tiny flakes opposite. The Gold Eosin is very reflective and glows when viewed across a room at a distance. Size: app. 13.5" tall and about 7" wide, about 1.5" thick at the thickest, the form weighs 3 lbs. A rare and beautiful pottery item, easy to display on a shelf or on a wall. P.O.R.


# 309. A dinner plate. Zsolnay Factory. Design by Rippl Ronai, made sometime in the late 1900's. Size: 10" diameter. Condition, excellent. P.O.R.


# 270. A large Zsolnay Art Nouveau Tile. C. 1905-10. The size is: 19.5" x 26". P.O.R.


We are offering a fine and rare selection of Hussar figures designed and made at the Zsolnay Factory for the Paris World's Fair in 1900. These figures were made for the Hussar Exhibition Hall. Lajos Mack (1876-1963) and Sandor Apati Abt (1870-1916) were commissioned to create the figures. We have six for sale: 5 in white glaze and one in a polychromed glaze. There were 31 in all including a large figure of Franz Josef on a horse. This entire collection can be viewed in Budapest at the Military Museum in Buda.


Item # 4882. A Vase c. 1900. Earthenware with acid-etched surface. The colors are metallic eosin green, purple, blue, lilac and gold. Size: 10.5" x 6.25" at the middle. Condition: scuffs consistent with use and age and there appears to be a repaired lamp hole in the under base. The form of this vase was pressed by the artist to create the indentations creating the random appearing form: really a very modern and new way of presenting art pottery. Other artist such as George Ohr with his Biloxi Art Pottery was experimenting with this technique. He along with the Zsolnay Factory exhibit at the 1904 St. Louis Exhibition and I would believe that Zsolnay possibly brought similar examples as this one to that exhibition. This glaze is an excellent example from a factory whose specialty was metallic glazes. A similar example of this vase is pictured on page 52 of Richard Stattner and Monika Csiba's excellent book titled: "Zsolnay Masterpieces of the Hungarian Art Nouveau." From a Cape Cod private estate. P.O.R.


# 4679. A fine pair of Secession hand modeled candle sticks. Size: 6", 15cm. Marks: round raised mark of the era and incised form numbers "5878". Circa 1900. The glaze: mostly copper eosin with strong marbled blue, green and gold eosin veins of color. The 'arms' are formed by the potter creating an undulating handle which when held is very pleasing to the touch. The fingers hold the candlestick conforming to the grasp of the hand. Condition: one of the sticks has an under edge flake as noted with over painting around the chip. Though we believed that many of this form were produced, we know of no other pair in private or public collections. P.O.R.


# 5132. A Zsolnay Secession Era bowl. Size: app. 9" wide and 3.5" tall. Green / Gold Eosin marbled glaze decorated the inside and outside of this shallow bowl. Painted factory mark. No incised form numbers. Circa 1900-1905. Condition: scuffs and glaze crackelature consistent with use and age. No edge or body cracks. The inside of this bowl must have been used to hold personal temporary objects and shows some scuffing. Perhaps coins, etc. A pleasing form. P.O.R.


Item number 196. A Zsolnay Vase. Form number 1246. We believe that this form number relates to the Architectural Form Books of the factory. We date this item between 1910 and 1915. Severe Vienna Secession Style. Size: 12" tall. Glaze: blue runny glaze over a green glaze, gold highlights. Condition: as noted in the photos there is a glaze loss plus in several areas the glaze did not completely adhere to the surface, hence white undersurface shows through. This is a singularly and unusual Zsolnay item. We believe that it may have a funereal connection, perhaps even meant to be used as a funereal urn. Architectural forms designed at the Zsolnay factory were created by some of the most renowned designers and architects of the Austro-Hungarian Empire. This severe example probably reflects the decor of the interior of a church, chapel or mausoleum. P.O.R,


Item number 265. From the Zsolnay Factory in Pecs Hungary. Form number 8695 which dates it to 1912. The design was influenced by Michael Powolny and the Wiener Werkstatte of Vienna Austria. Factory marks of the era. Size: 8.25" tall; 5.25" diameter. Condition: Tiny pinpoint glaze loss on the edge of the lid as issued from the factory; no restorations or repairs. A small putti stands on a grassy knoll holding his cache of flowers. Glaze: mottled green metallic eosin against an orcher ground. Very few different examples exist reflecting this Vienna influenced design. P.O.R.


# 158. A miniature Zsolnay Vase. Size: 3 7/8" tall. Condition: edge flake to the base. C. 1912. Exquisitely decorated miniature vase with Hungarian Folkloric designs also reflecting the Turkish influence. Jewel like decoration consistent with Hungarian Renaissance Style Jewelry of the late 19th century popular in Austria Hungary. Round raised factory mark of the era; incised form number 8652. The form number is concurrent with the date of production. A rare and beautifully decorated art vase from the factory. P.O.R.


# 169. A rare electrical hanging Zsolnay Art Nouveau light. Photos indicate that a light similar to this one was used in the Section of the Hungarian Applied Arts Exhibition of the International Exhibition in Milan in 1906. Not marked. Pale green, grey, putty glazes with eosin enhancements. Size: 33" long. Newer electrical wiring. Socket on undetermined (but some) age. Condition: the light cup at the end has been broken and repaired. The balls are in good condition with no restorations. There are photos, documented in literature of this style of light used in the 1906 exhibition. P.O.R.


# 285. In a series of photos we offer a fine and rare portrait bust of Miklos Zsolnay (1857-1922). This portrait bust depicts Mr. Zsolnay in his finest Hungarian Noblemans Regalia. It stands 19.5" tall and has a foot print of app. 7" square. The title states: ZSOLNAY M. Miklos and he was the son of Vilmos Zsolnay. He took over the management of the Zsolnay firm after his fathers sudden death in 1900. He was a member of the Upper House of the Hungarian Parliament. Under his direction, the factory reached its peak of international success. Artist signed: "NagyM 1909" the signature is hand scribed into the clay. Mihaly Kaplas Nagy (1864?-1943) was an artist, craftsman, sculptor. He studied at the Budapest School of Applied Arts. I suspect that it was a privilege to be chosen to sculpt a bust for Miklos Zsolnay. Condition: (please view the larger pictures by clicking on the above image) a loss to hat, we think that there was plume there; a loss to the sword hilt; a loss to the tip of the sword. This is a highly rare zsolnay item. P.O.R.


# 5457. A Zsolnay cachepot; form number 6203 - round raised factory mark: circa 1900. . This design was probably created by Mihály Kapás Nagy 1864-1943. Artist, craftsman, sculptor, from 1888 to 1942. With small interruptions, he was employed by the Zsolnay Factory as an artist-craftsman and sculpture. He was one of the artist teaching at the technical school for ceramics run by the Zsolnay factory. His job was to design and execute sample pieces. He designed many plastically decorated models manufactured in high numbers. Four ducks surround the cachepot walking through reeds and river plants. Size: 12" across / 12" tall and the base is 8" across. Green, gold, blue eosin glazes and majolica glazes used for the duck bills and feet. Condition: A crack across the outside of the entire base with glaze lines showing inside and outside the cachepot up either side meandering for over 8"; a restored edge repair to the lip. Despite its condition, this is a rare form of which we know of no comparison. P.O.R.


Modern Design from The Zsolnay Factory

1920-1960


# 3700. Another example of Zsolnay production ca. 1959. The Glaze technique was designed by Gabriella Törzsök. No form number and no factory mark. 12¾" tall. Good condition. Price: $600.00.


# 4172. A small Zsolnay charger in the Modern Style, c. 1962. 9½" diameter. Zsolnay Factory mark on the back. Stylized fish against a hand painted black background. Rare. Condition very good. Price: $500.00.


Enter Here for Gallery II

Zsolnay Items sold from our gallery

Want to know more about Zsolnay Marks and Form Numbers: click here

"Zsolnay Ceramics Collecting a Culture" with price guide: "This beautifully illustrated guide to Zsolnay ceramics featuring over 400 color photographs covers the three main periods of Zsolnay production, including 1868 to 1897-Folklorism, Historicism &Victorian Eclecticism; 1897 to 1920-Art Nouveau (Secession in Central European terms) and Art Deco (Second Secession); 1920 to the present-Modernism. An entire chapter; fully illustrated is also dedicated to Zsolnay marks to help collectors identity their pieces." This book is 191 pages and is a large format hard cover. The over 400 color photos detail Zsolnay by size, form number, date of production and current market value. Price: $49.95 + shipping.

To order this book please send a check or money order {$49.95 + 12.25 shipping Priority Mail including insurance}for a total of $62.20 to: The Drawing Room , 152 Spring Street, Newport, RI 02840 {Email us for information about postage charges for shipping outside of the continental United States}


Our Personal Zsolnay Journey


We had a link to the Zsolnay Factory, however the link was so difficult to control: windows would NOT close and I have had to eliminate the link . . . so you are on your own to search for the Zsolnay factory in Hungary.

This link takes you to a list of form number designs by Sàndor Apàti Abt


TheZsolnay Tile Museum : an online exhibition of architectural tiles from the 1880's to just before WWI produced at the Zsolnay Factory in Pécs, Hungary.


ZSOLNAY // FURNITURE // GLASS // PORCELAIN // POTTERY // METAL
LIGHTING // PAINTINGS // EPHEMERA // TEXTILES // GOTHIC // MISCELLANEOUS

THE DRAWING ROOM OF NEWPORT AND THE ZSOLNAY STORE HOME PAGE


The Drawing Room and The Zsolnay Store is located at 152-154 Spring Street, Newport, Rhode Island 02840.We are open daily from 11 am to 5 pm and by appointment. If you have an interest in an item listed in this document or wish to purchase an item, please call us at 1-401-841-5060. The Partnership of Gacher and Santi has been in business for over 30 years. We have been located in Newport since 1985.


Email us atdrawrm@hotmail.com

If you have an interest in knowing more about Zsolnay, check our Ephemera Link: we stock two excellent publications on the subject of Zsolnay. If you wish an evaluation about a Zsolnay item in your collection, just send us a photo with notations of size, condition and marks along with a self addressed stamped envelope and we would be glad to help you. And . . . of course we are always interested in purchasing fine examples of Zsolnay ceramics.


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