John & Rico's Antique American and European Furniture from

Their Drawing Room of Newport.

Located in Newport Rhode Island

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#5124. A Newport Gilded Age Louis XVI Style Bed. Carved, Cained and painted. Size: 54" wide, 73" long. The headboard is 62" tall and the footboard is 27" tall. The feet are 6" tall. Age: circa 1900.Because of the curve in the caning the size mattress would be: 54" x 76" and would probably have to be custom made. Condition: the bed fits together correctly; one of the two side rails is bowed though it does not hinder the assembly of the bed; there are two punctures to the interior of the caining of the footboard where a mattress pushed in the caining. There are no other punctures to the caining. The carved ribbon crest was broken off at some time in the past and re-attched. Much of the bed is double cained with the exception of the large center section to the headboard. There was not a 'cottage' in Newport at the turn of the century that did not have at least one of these beds. If cained furniture is not to your taste, this bed could be easily upholstered. Price: $4,500.00.

# 5631. A fine and rare American Federal Era Piano-Forte, manufactured by Loud Brothers* of Philadelphia. Size: 26" deep, 36" tall and 68" long. 73 keys. Completed November 12, 1830. Rosewood and Mahogany with stamped and cast brass fittings, gold gilt stenciling. Condition: the case was restored a number of years ago. The action needs attention, two strikers are unattached, the sound board has 4 cracks, one string is missing and the piano needs tuning. Minor edge veneer loss. Small chip to one of the keys. This instrument is missing the sustaining pedal assembly. Scratches to the top surface of the piano, repair to the outer music holder. The cabinet was made by David T. Moore and the keyboard maker was David Boggs. Loud Brothers instruments are in collections of The Metropolitan Museum of Art, and other Museums of note. * Loud Brothers was a very early piano manufacturing company based in Philadelphia, PA. Loud Brothers was established in 1822 by Brothers Thomas Loud, Philogus Loud, John Loud, & Joseph Loud. Their warerooms were located at 150 Chestnut Street, and they firm enjoyed very good success building piano-fortes, organs and melodeon. In the late 1830's Loud Brothers received a patent for an early form of the cast iron piano plate with compensating tubes. It has been suggested in research that the Loud Brothers of Philadelphia were the sons of Thomas Loud, the piano maker of New York which was operating at the same time. Loud Brothers went out of business in 1837 and their instruments are exceedingly rare and of museum caliber today. $7,500.00

An Italian Neoclassical paint-decoration cabinet. Late 18th century. The front and sides are decorated in the Renaissance style with each of the eight panels finely painted ~ white background with pale green and blue designs. Period hinges, lock, feet and cornice. Size: 90.5" x 69.5" x 30.5". Price: $39,500.00.

# 5503. A Beaux Arts Herter Bros. rosewood three panel folding screen, circa 1895, with pastoral panels created by the firm of William Baumgarten & Company.William Baumgarten was the managing director of Herter Bros. prior to 1891 but left and started his own company after securing the manufacturing rights to produce Gobelins tapestries in the U.S. (active between 1893-1910). The marriage of Baumgarten and Herter Bros. in this screen results in this magnificent three panel rosewood screen. The firm of Baumgarten was located at 321 5th Avenue in New York City. When these tapestries were woven, the cost per section was between $500.00 and $1,000.00 which translates in today's dollars between $11,000.00 and $22,000.00 each. Examples of Baumgarten tapestries can be seen in museums including The Metropolitan Museum in New York. Size: 76.5" tall and 90" wide. Each rosewood panel is signed "Herter Bros" on the underside. Condition: Splits to the beige velvet panel on the back side and a split to the Aubusson panel on the right side. Scuffs and mars to the rosewood frame consistent with use and age. P.O.R.

# 5499. A table and chair: Russian, made between 1880 and 1900. Carved and painted wood. The size of the table is 42" x 27" x 29" tall. The single chair size: the seat is 18" x 14" and the back is 39" tall. This two piece set is in the folkloric style. The construction is closest to the American Modern Gothic style. The hand painted decorations are remaniscent of the painted Russian boxes found on the market throughout the decades. This set was possibly from an International Exhibition such as the Columbia Exposition in Chicago in 1893 where Russia participated with decorative arts from their country. Condition: considerable scuffs, scratches to both the table and chair. The "moon" shown on the table is probably an afterthought to 'repair' a mar to the painted surface. There are old splits to the back of the chair. The set should be cleaned and the painted surfaces should be restored. This is a rare set, uncommon to the market. P.O.R.

# 5322. A matched pair of carved wood finials. Size: base 8.75" and they are 25" tall. Condition: the flames were attached to another object and were used in an application that may have been part of a larger installation; minor losses consistent with use and age; probably predate 1900. P.O.R.

#5411. An ebonized side chair attributed to the firm of Pottier & Stymus of N.Y.C. H.34.5", W.17.5", D.16.5". Incised numbers on the underside: " 48372". Design elements in this chair are similar in spirit to one pictured in an article written by Brian J. Lang The Art of Seating 200 Years of American Design an exhibition at the Colombia Museum of Art, South Carolina. Price: $7,500.00.

#5410. An ebonized side chair attributed to the firm of Pottier & Stymus of N.Y.C. 1880. H.34.5", W.17.5", D.16.5". Incised numbers on the underside: " 48372". Design elements in this chair are similar in spirit to one pictured in an article written by Brian J. Lang The Art of Seating 200 Years of American Designan exhibition at the Colombia Museum of Art, South Carolina. Price: $7,500.00.

# 4518. A pair (2) of identical Rosewood and parcel gilded Egyptian Revival armchairs with porcelain plaque inserts. Either made by the NYC workshop of Pottier & Stymus or Herter Bros. between 1869-89.The Pottier & Stymus showroom was located at 632 Broadway and the decorating firm specialized in Egyptian Revival furnishings among other historical styles and continued until 1919. These chairs are from a local Newport Rhode Island Estate on Bellevue Avenue. These pieces have had a recent museum quality restoration. Carved initials "TR" and the date "1906" on the back of one of the chairs. Splice to the back of one of the legs and a minor carved decoration has been replaced on one of the chairs. Price: $35,000.00 the pair.

# 5264. A fine Ebonized Modern Gothic Hanging Corner Display Cabinet. American - Circa 1875. Size: 32" top to bottom; 23" across and 16" deep. Condition: original velvet interior; original finish; no key; lock and hinges original. A pair of ceramic aesthetic style tiles decorate either side of the cabinet. There are two interior shelves; glass wood framed door and a shelf with plate 'rail' on the top. Not marked; consistent with the workmanship of the firm of Kimbel & Cabus. A simple and elegant parlor cabinet. Price: $49500.

# 4951. A Settee in Maple; circa 1885-1905, design attributed to Francis Bacon and made by the A.H. Davenport Co. of Boston (Cambridge). Size 50" wide x 35" tall at the back by 22" deep with the seat 17" high. The design reflects the Colonial and Romanesque Revivals in a highly severe and sophisticated manner. Francis Bacon first designed furniture for the prestigious NYC decorating firm of HERTER BROS. that had decorated the mansion of William H. Vanderbilt among many others of that category. By 1883 Bacon became associated with the celebrated Boston architect H.H. Richardson who popularized the Romanesque Revival style in America. By 1885 Bacon had become the principal designer for the A.H. Davenport Furniture Company. The Davenport Company made pieces for the White House in 1902; commissioned by McKim, Mead & White, selected by President and Mrs. Roosevelt. This settee very much shows the influence of Herter Brothers chic elegance and the American Romanesque Revival adaptation of H.H. Richardson. Minor old insect damage to the back right leg does not lesson the strength of this very practical piece of seating which only requires the changing of the (original) upholstery. Normal wear and left back top rail veneer repair. Price: $1,750.00

# 5145. An American Empire Style Console Table. This is a revival console: American has been enchanted with the Empire Style since the early 19th century through the first couple decades of the 20th century. This console was made between 1880 and 1900. Unlike it's earlier counterparts, it is not veneer but solid Mahogany. Extremely well made and very heavy, the size is: 36" tall by 22" deep and 48" wide. There is a center drawer. The metal capitols and footing for the columns are fire gilt bronze and are very well cast. Condition: the table has multiple scuffs and would be greatly enhanced with a good French Polishing. There are no losses. The top is a single piece of Mahogany. The price for this console is $3,850.00.

# 5220. A pair of fine late 18th early 19th century Bilbao Mirrors. Size: 15" wide and 32" tall. Condition: the gesso/wire decoration is in excellent condition and the gilding appears to be intact; the mirror/glass is appropriately distressed because of age (when these mirrors were first used, people with powdered wigs were looking at their reflections); the marble columns and framing may have had some restoration over the years, but there are no apparent serious problems. These mirrors are more commonly seen in finer New England 18th century homes. It is rare to find a pair in such nice condition. A similar pair are on exhibit at at the Minneapolis Institute of Arts, (G328). Literature: In The Looking Glass in America, 1700-1825, by Helen Comstock, a pair of similar Bilbao mirrors are illustrated, p. 80, fig. 53. Comstock writes, "Bilbao mirrors reached America about 1790-1810 in some thus far unexplored phase of [America's] trade with Europe. They take their name from Bilbao (formerly sometimes written Bilboa), a port in northwestern Spain near the French border that was frequented by American merchant ships in the 18th century. Note: A similar pair of mirrors sold at Skinners Auctions for almost $22,000.00 in the Fall of 2010 with labels reading: "Bernard Cermenati, Carver, Gilder, Picture Frame and Looking Glass Manufacturer, No. 10 State Street - Newburyport." Our mirrors are un-labeled. Price: $22,500.00 the pair.

# 5207. A fine Regency style period girandole convex mirror. Early 19th century. Size: 48" tall / 32" across and the mirror is 17" in diameter. Condition: the wood/gesso surface has been glazed over with a gold paint; there may be some water lay gilding under the paint that may be recovered; the mirror/glass appears to be original and in good condition; one of the tail fins of the serpent on the left side of the mirror is missing; the Sheraton style urn at the top of the mirror has been broken off and re-attached; the prisms, though period, may or may not be contemporary with the rest. From an area private home. Price: $5,500.00.

# 5138. An American Empire Center Table. Circa 1830-40. Rosewood / Egyptian Marble / Black Marble. Size: 31" tall / 35" across. This tri foot base table has an Egyptian Marble center support with bronze upper and lower caps; The marble top was probably replaced at one time and the surface is glass like. This design is uncommon with most centertables of this era usually having a wood center post or support. The marble column unbolts for more easy transportation. { We have located a similar item: offered by Christies on Thursday June 2, 1983 -Quervelle 5370 - lot # 185 "An Empire Mahogany Veneer Marble top Center Table - New York, 1830-40" The estimate was then $3,000.00 - $3,500.00.}Price $3,500.00.

# 5123. A single American parlor chair. Circa 1876. Mahogany. In the Japanesque / Aesthetic style. Size: the back is 30" tall; the seat is 14" tall; the seat is 21" across and 19" deep. There is no evidence that there were castors on this chair. Very good original condition with minor scuffs; no repairs or breaks. All four legs are carved with paws. The oriental carved fret work panels are inset into the frame. Probably New York City. Upholstery dates from the "awful" 1960's. Price: $2,250.00.

# 5150. An American Renaissance Revival Console Table. Size: 23" deep x 60" long x 32" tall. Painted Walnut. Condition: painted surface; the slate or marble top was broken at one time and is in two sections which fit together. The break shows with some surface edge loss across the break. The legs have subtle Egyptian Style design elements: lotus decorations. A well carved and useful table suitable behind a sofa or in a hall. A plateau on either side could hold vases or statues. Price: $4,250.00.

# 3767. A ceramic / pottery / Pedestal. Made between 1890 and 1910. Thickly glazed dull white surface over a solid composition material. Size: app. 42" tall and the top will support an object 9.5" across. Condition: various flakes and glaze crackelature. This is a very heavy stone like pedestal. Probably made for an indoor conservatory or to be used outside. We had this in our garden for a couple of years with the Newport, Rhode Island cold not affecting the integrity of the pedestal. We have seen a turn of the century catalogue from the firm of Liberty of London that pictured similar garden pedestals and this (unmarked) pedestal may be from the firm of Liberty and Company. Difficult (but possible) to ship. Price: $4,500.00.

#5083. A Console Table. Baroque, circa 1625-1725. "Torchiere - Candelabra Stand - Palace piece, Probably Austrian. The figure "Pan" stands in a glade of flowers, in front of foliage which supports the back; he holds a fancy marble top. 37" tall x 16.5" deep x 28" wide. Some 19th century reinforcements plus the top may be 19th century as well. Worm hold damage to the entire console; loss of one finger and repair to adjoining finger. Old patina to the surface. From an old Boston Estate of note. Price: $38,500.00.

# 4875x. An "American Renaissance" Style 19th century dining side chair. Mahogany. From the estate of Arthur Curtis James. Used on his yacht Aloha (second and latter yacht of that name). Of the finest carving consistent with workmanship of Herter Bros. of New York City. Size: 38" tall with the seat 19" wide, deep and tall. Condition: original finish to the carved wood surface; re-upholstered at some time in the past. To find out more about Arthur Curtis James . . James fortune was copper; he owned in Newport Rhode Island Beacon Hill House and The Swiss Village; he was a Commodore and his yachts were The Coronet and The Aloha. The Coronet is being restored by the Newport Museum of Yachting. There is a matching chair to this one known to exists in Newport. This chair relates to The Crawford Library Table pictured on page 266 of "Art & Enterprise" American Decorative Arts, 1825-1917 The Virginia Carroll Crawford Collection published in 1999. As described, the library table " was found in Newport in the early 1980's, where it was reported to have come from a member of the Vanderbilt family." To see James's Beacon Hill . . . Price: $3,500.00.

# 4835. A single parlor chair. c. 1860. American - Rococo Style. Ebonized wood with exceptional well cast furniture mounts. Consistent with production from the workshops of Auguste-Émile Ringuet-Leprince . Condition: reupholstered in the 1960's / the arms are slightly separated from the back caused by loose joints; original finish. Leon Marcotte was the son-in-law of Emmanuel Ringuet LePrince of Paris. This single chair is similar to a large impressive set made for Chateau-sur-mer of Bellevue Avenue / Newport Rhode Island. We quote information from the MET in New York about a similar chair that they have in their collection: " Armchair, 1843 Auguste-Émile Ringuet-Leprince (French, 1801–1886; firm active Paris, 1840–48) Ebonized fruitwood (apple or pear), beech, gilt bronze mounts, original upholstery; 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm) Gift of Mrs. Douglas Williams, 1969 (69.262.3) In the 1840s, well-to-do New Yorkers preferred French furniture to that made in their native city. In 1844, Mrs. Samuel Jaudon of New York wrote to her friend Mrs. James C. Colles that "we on this side feel as if everything [is] so much handsomer, and better, and desirable that comes from Paris." Upon orders from New York clients, Parisian cabinetmaker and decorator Ringuet-Leprince shipped entire rooms of furniture, carpets, looking glasses, wallpapers, decorative objects, and sculpture. This armchair is part of a formal drawing room suite that was custom-made by Ringuet-Leprince as part of a suite for the abovementioned Colles family. The suite includes a pair of sofas, four armchairs, four side chairs, a firescreen, and a table. In 1850, the Colles' daughter, Frances, married John Taylor Johnston, a New York railroad executive who later served as the first president of The Metropolitan Museum of Art from 1870 to 1889. The suite of furniture descended in the family, original upholstery intact, and, except for two armchairs, was given to the Museum in 1969. " Price: $2,950.00.

# 4832. A diminutive console table. Early 19th century, possibly Austrian. A winged gilt wood eagle with single paw support holding a small marbleized wood top (not original). This form of Eagle was frequently used in Vienna 'Eagle' clocks between 1800-1825. Size: 28.5" tall / the top is 21.5" across and 10.5" deep. Price: $1,500.00.

Item number 4225 is a console: The top is faux malachite on wood and the eagle is plaster painted to look like weathered bronze. Very effective. Size: 22" deep, 45" long and 33" tall. This eagle came to us in Newport from a private museum source who some how managed to make a cast identical to one of the eagles from a console located in the State Dining Room of The White House in Washington. There are several of these consoles in the White House Dining Room: a large one with two eagle supports and more than one single eagle console table. This was done more than 30 years ago and we are not sure of the circumstances. The person who cast this eagle has passed away. The top would be attached to the wall and supported by the head of the eagle. Price: $3,500.00.

# 1895. A Russian or Baltic Neo-Classical Mirror or looking glass. c. 1835-1845. Size: 21.5" x 55" {glass size 16.5" x 28"}. Mahogany with painted and inlaid woods / applied gilt bronze mounts. Condition: the back wood cover for the mirror is gone, the mirror is naturally distressed because of its age. We believe that the glass is period. Scuffs consistent with use and age; minor splits to the wood. From a Newport Rhode Island Estate. Price: $1,500.00.

# 3449. Pictured is an early 19th century {c. 1825} Viennese 'Eagle' clock. Three train silk escapement movement. In Vienna these are called "Adleruhr". This clock chimes every 15 minutes and must be wound every day {30 Hour movement}. Size: app. 27" x 27". Replaced pendulum. Carved wood. Original surface: very worn. Original enamel dial with chips and damage to the dial. In working condition. This is the standard clock that graced better homes in Vienna during the Biedermeier Era. An elegant and beautiful time piece. As with all of our items displayed on the Internet, detailed photos are available. Price: $15,000.00.

# 3425. A period American Aesthetic chair. Low enough to be a slipper chair. c. 1885. Condition: painted surface less than 25 years old. Silver paint with Aesthetic decor. Upholstered with silk morié. Price: $895.00.

# 4581. A fine Aesthetic Era American Ebonized side Chair. Ebonized Cherry with inlaid back splat. SOLD. We are always interesting in purchasing chairs similar to the one pictured here.

Item number 4231 is a cast iron umbrella hall stand. English with reg. marks. Probably sand blasted in the last decade. Original brass support rod. Probably the original color was black. In the style of Dr. Christopher Dresser. Size: 19" tall x 8½" deep and 27½" tall. Price: $1,250.00.

# 4461. A reproduction American Empire Sofa in the style of work by Anthony Quervelle. Size: app. 90" long, 24" deep and the back crest is 34" tall. Condition: The surface at some point in the past has been cleaned, there is a clean break in one of the scrolled arm supports which has been repaired, newer upholstery foundation and textile. We don't know exactly when or were this sofa was made. There are two of them in Newport. The other one is located at Shamrock Cliff, a resort on Ocean Drive in Newport Rhode Island. It is in one of their public rooms. Price: $3,500.00.



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The Drawing Room is located at 152-154 Spring Street, Newport, Rhode Island 02840.We are open daily from 11 am to 5 pm and by appointment. If you have an interest in an item listed in this document or wish to purchase an item, please call us at 1-401-841-5060 ( cell: 401-261-3980). The Partnership of Gacher and Santi has been in business for over 30 years. We have been located in Newport since 1985. All images copyright by F. Santi, 2018

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