Art Nouveau Antiques
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# 5129. A Secession or Art Nouveau Zsolnay table lamp. Titled "Dragon Fire" four Dragons surround the base of the lamp breathing billowy fire to the top where the font is set into the rim. The vase itself is about 19" tall. The metalwork (copper) font and rim are finely made, conforming to the rim of the vase. Round raised factory mark of the era. Form number 5940 dating this extraordinary Zsolnay item to 1900. Each of the dragons is in high relief. Condition: glaze lines in the base. The metal work is period to the vase. There are no apparent restorations. The font and metal work frame (two separate pieces) easily remove from the top revealing a finished edge as if this item could have been made to be just a vase. It is a very successful kerosene lamp. The separation of color: gold plumes of 'fire' are in contrast against the eosin blue background. Price on Request.
# 5101. A Secession or Art Nouveau Gas Chandelier. European. Circa 1910. Probably Czech or German or Austrian. Size: 48" tall at the shortest and it is 33" wide at the widest. Six gas arms hold 6 green cased glass shades (not old) on electrified candles; in the center of the fixture is a spectularly large Palme Konig glass shade: Tam O'Shanter style with an opening in the center. The Palme Konig shade is 14" in diameter and is about 8" tall. Condition: the fixture has been electrified; there is one gas key missing; A minor chip to the Palme Konig Shade on the base. Difficult to ship. Price: $3,950.00.
# 5141. A French Art Pottery Vase. Etched signature for Gaziello Vallauris. Size: 11.75" or 30cm tall. The metallic glaze varies from top to bottom: copperish on the top to a green on the base. The glaze is a little different on each side. The surface is bumpy with the entire vase having a hand hammered finish. Condition: a rim glaze line from the top down for about 1.5" plus another glaze line on the opposite side of the top, impossible to photograph. Both glaze lines are about the same size; and two under base edge flakes. A very attractive vase. The form is pinched at the top to create a quatrafoil lip with the appearance of fluting almost to the base. Price on Request.
# 5135. A fine Weller Sicard miniature vase. Early 20th century. Size: 5.75" tall. Condition: excellent with no cracks or repairs. Signed in two places: "Sicard" and "Weller Sicard". Price on Request.
# 4864. A Heliosine Ware pottery Art Nouveau Vase. Circa 1910. 21.5" tall and a 5.5" square base. Marked under the glaze: Heliosine Ware Austria with a crown. Incised Numbers "21039" and "3". We believe that the crown mark is for the firm of Ernst Wahliss. They were a retailer and maunfacturer, opening a shop in Vienna in 1836 with branches in London (1888) Berlin (1896); they were agents for Reissner, Stellmacher & Kessel and Zsolnay. The firm was renamed Alexander Porcelain Works Ernst Wahliss in 1905. This information is from Marks and Monograms of the Modern Movement by Malcolm Haslam which is an excellent reference book (ISBN 0 7188 2291 9) Condition: two very long cracks on oposite sides of the very tall vase from the top down about 8". Rubbing to the dull metallic glaze. A very large example of this most uncommon line of Art Nouveau Ceramics. Price: $950.00.
# 5100. A fine and rare German Jewelry Box. Designed and manufactured by Erhard & Sohne. Circa 1910. The technique is called Intarsia. As quoted from "Modern Art of Metalwork" at the Brohan Museum in Berlin: "The Intarsia played a major role from 1904 to the 1920's; Intarsia works of wood and brass, where the technical quality consists in the durable combination of the materials through their being pressed conjointly against a roughly milled metal substrate." "Erhard was the leading company in Germany in the sector of brassware." This box is made of brass, tree health wood (erica aborea) and probably designed by Walter Klein around 1910. It is unmarked. Condition: patina scuffing; one of the four wood pad feet is missing; there is no metal loss or delamination of the wood inlay. There is no key to the lock; the inside velvet is in good condition with the exception of the top storage level: one side of the tray is frayed. Size: 7.25" tall x 11.45" wide and 8.15" deep. The decor theme are fairy tales. A strong Secession (Art Nouveau) style is evident on all sides. This is a magnificent example in a rare large size. P.O.R.
# 5024. An Art Nouveau Goblet, c. 1903. Silver, gilded silver, garnets, height 7" (18cm). Marked "Munchen-900- (indistinctly) Beiden". We are not positive of the maker, we just know that this item was made in Munich. This organic form represents a pomegranate with the upper body supported on a stem encircled with leaves and vines. The goblet itself if set with garnets representing the seeds of the pomegranate. This theme of the goblet has been documented on page 105 of "Art Nouveau in Munich" a catalogue of an exhibition at the Philadelphia Museum of Art written by Kathryn Bloom Hiesinger published in 1988. ISBN 0-8763-076-6. Form on page 105 (#81) was designed by Ernst Riegel (1871-1939) and the text states "The form of the vessel recalls that of Late Gothic 'apple goblets,' although it has been reinterpreted in the sense of floral Jugendstil to form a tree with roots and pruned foliage." The goblets shown here is thematically similar using the pomegranate as the stylized design element. P.O.R.
Book Details ISBN: 0764324365 ; Authors: Federico Santi and John Gacher. Size: 8 1/2" x 11" Illustrations: 500 color photos Pages: 240 Availability: Now Available Binding: Hard Cover Book Description The streets of Budapest, Hungary, and Vienna, Austria, are rich in masterpieces of Art Nouveau ironwork. Around nearly every corner of the residential districts and business hubs of these great cities, architectural treasures wait to be appreciated by the discerning eye. 500 vivid photos show the many, varied interpretations of Art Nouveau forms used in balustrades and balconies, lanterns and gates, doorways, elevator door façades, and more. This book will inspire many to make new travel plans and will delight everyone with a passion for beautiful decorative ironwork. Explanations of the settings discuss the details and decorative motifs associated with the various ironwork objects illustrated, and detailed photographs enhance the reader's understanding and appreciation. A bibliography is included. Quotes: Midwest Book Review--California Bookwatch (Nov. 2006) ...An excellent history of an outstanding survey of ironwork art covers--a region given little attention elsewhere.Price $49.95 plus shipping.
# 149. Vase, 10 " tall. Round raised factory mark, c.1902. We call this the "rotten cheese glaze". A mottled cream globular glaze with burnt "hot spots" "erupting" around the vase. This vase looks American but for the band of Secession gilt and orange painted decorations surrounding the lip. About 3" of edge repair around the foot. Factory form number: " ?024": either a "6" or a "7". This type of glaze is very uncommon for Zsolnay and borders on experimental. We know of only a couple of other examples. P.O.R.
Print 2. A print of a decorative panel reflecting Art Nouveau Designs. Size: 35cm x 25cm. Title: "Moderner Plafond" Other notations: "Dekorative Vorbilder XIV" "A. Gatternich, Stuggart" "Verlag von Jul. Hoffmann, Stuttgart" "Nach Einem Aquarell Von Prof. G. Sturm" Condition: Small abrazions and upper left edge fold in the margin. Color good. Price: $150.00.
# 4028. An American Art Nouveau era, etegere. Mahogany and mahogany veneer. Size: 35.5" wide. 63" tall to top of gallery and 12" deep. The lower shelf will comfortable hold a vase 18" tall. This etergere can accomodate up to 20 items comfortably. There is a single drawer; the shelf above the drawer has a beveled mirror back and there is a single glass door to the left of that shelf. There is no back, other than the mirror in one of the sections. Condition: dirty finish with some veneer replaced, scuffing consistent with use and age. Typical American Art Nouveau design elements. Price: $1,850.00.
# 4347 is an exceptional ceramic figural group. Printed and incised mark for the Wiener Kunstkeramische Werkstätte. Indistinct signature of the artist. Size: 13.5 wide x 11" deep and 16" tall. c. 1909. This fine and rare Austrian Secession figure has we believe a repair to the neck of the lady and we detail photo of the legs of the faun that show glaze lines around each leg. We do not believe that the faun legs were ever repaired. Concerning the Wiener Kunstkeramische Werkstätte: "Art Pottery started (1908) when Heinrich Ludescher and Robert Busch bought out employers, A. Forster & Co. of Vienna. Ludescher left, 1909. Production includes figures and sculptured vases. Printed and impressed marks." {from Marks and Monograms of the Modern Movement 1875-1930 by Malcolm Haslam}. Price: $7,500.00.
Print 4. A print of a decorative panel of fish reflecting Art Nouveau Designs. Size: 35cm x 25cm. Title: "Fische" Other notations: "Dekorative Vorbilder XIV" "Emil Hochdanz Stuggart" "Verlag von Jul. Hoffmann, Stuttgart" "Entworfen Von H. De Waroquier" Condition: Small abrazions and Staining to the margins; Gold gilt highlights in good condition. Color good. Price: $150.00.
Item # B 1. A rare folio of photo engravings from the "L'Art Decoratif aux Salons de 1906": The Decorative Arts Salon of 1906. Size: app. 7.75" x 11.75" (page size, outer folio a little larger. Condition: there are about 105 pages and there must be several missing, there are 154 pages listed in the index, the outer folio covers are stained and fragile, the existing pages (this is a loose leaf assembly of pages) have minor tears and edge staining, but for the most part the images are clean. It seems that two organizations were listed: Society des Artistes Francais, Societe Nationale des Beaux-Arts. The Editor was Armand Guerinet. Pictured are works by (among others): Gaston Bigard, Paul-Emile Brandt, Boutet de Monvel, Gaston, Charlet, Mile Flore Herbin, Gaston Charlet, Maurice Delanney, Auguste Fourain, Paul Hesbert, R. Petit, Victor Lhuer, A. Quenard, E. Quentin, Mile S. Rabant, L.C. Tiffany, Taxile Doat, Michel Cazin, Camille Gueyton, etc. This folio came out of a Newport Rhode Island private library and was probably purchased at the time of its printing for that library here in Newport. The pages are suitable for copying and would make a wonderful reprint for designers and decorative arts educators. Most of the plates are of jewelry. There are only about 10 Tiffany items pictured. The plates are one sided. Price: $750.00.
# 325. An important Art Nouveau Lamp. Designed by Sandor Apati Abt for The Zsolnay Factory in Pecs Hungary. Form number 6300 which dates this to the year 1900. Size: 22" tall. Marks: round raised factory mark, incised form numbers and partial price sticker stating the cost in Kronas which states 20050. Abt's incised mark on the outside back pedestal. Condition: both hands have been broken off and re-attached; a broken and missing thumb on the lower hand and a loss to the first finger of the upper hand. This figure was originally surrounded by a metal armature which held leaves and electrical sockets (3). That armature was missing when we purchased the lamp. We have applied an antique metal armature, with leaves and white porcelain flowers and a single socket, to the opening at the feet of the figure. The fit is quite good and now this Zsolnay figure has an appearance similar to its original configuration. The glaze is a silky copper Eosin with definite separation: the face and chest of the figure is a gold Eosin; the base or pedestal on which she stands is a marbled copper/blue eosin. The classical robed figure is extremely well modeled and probably represents some important concept or theme in the Austro-Hungarian Empire. Further research is needed. P.O.R.
Print 5. A print of a decorative Zodiac panel reflecting Art Nouveau Designs. Size: 35cm x 25cm. Title: "Die Zeichen Des Tierkreises 1. Lowe, Skorpion, Jungfrau, Schltze, Wage, Steinbock" Other notations: "Dekorative Vorbilder XIV" "Emil Hochdanz Stuttgart" "Verlag von Jul. Hoffmann, Stuttgart" "Etworfen Von Prof. G. Sturm" Condition: Small abrazions and upper left edge fold in the margin. Color good. Price: $150.00.
# 4063 is the detail of a Tiffany (att.) leaded window. Size: 8" wide and 38" tall. This is a fragment that was probably part of a hall window light. There is a continous design of flowers, leaves and vines intertwined with blue ribbon set against an opalescent background. Two of the opalescent panes have been replaces and there are several fractures in the larger panes. All in all, it is a nice Aesthetic design for Tiffany and dates from between 1885 and 1890. The window does detail a complete statement of design with the colored glass ending at the top and bottom with borders of opalescent glass framing the entirity. P.O.R.
Print 3. A print of art works reflecting Art Nouveau Designs. Size: 35cm x 25cm. Title: "Figurale Wanddekoration" Other notations: "Dekorative Vorbilder XIV" "A. Gatternich, Stuggart" "Nach Einem Original Von Erwin Puchinger" "Verlag von Jul. Hoffmann, Stuttgart" Condition: Small abrazions and lower margin edge tear; slight discoloration because of surface dirt. Color good. Price: $150.00.
Item # 279. A Zsolnay Art Nouveau Figural Compote. Size: bowl diameter 9.5" across / 9.25" tall. Round raised factory mark, incised form number ( 6693? - can't make out the form numbers so well). Condition: as noted in the photos with a red line, part of the base was broken and repaired. This is the only repair and loss. As with most restoration, there was too much overpainting. There were two pieces when the flowing robe base was broken. The robe of the female figure make the foot of the compote which supports the entirety. Still with the restoration, the eosin decoration inside the bowl is exceptional. The bright green/gold leaves of grass surrounding the inside of the bowl and remarkable. The outside of the bowl is metallic blue and the figure holding the bowl is green / gold eosin. P.O.R.
# 5025. A Period Art Nouveau Kerosene table lamp. Bronze and copper. c. 1895. Size: base diameter 6"; 10" tall to the top of the font opening and 15" tall to the top of the burner. The burner knobs are marked " John Wanamaker" {a large department store in Philadelphia}. Condition: original patina; no shade holder and no shade. The lower section seems to have a copper like finish blending to a darker bronze patina at the top. The font, which is made of patinated copper, is contemporary with the base. High quality design reflecting the flora design elements interpreted in decorative arts at that time. The design of this item also represents the height of the Japanesque movement and firms such as Tiffany were producing designs such as this. The leaves of this simple 'weed' and the seed pods create in a circle the base of the lamp. Price: $2,950.00.
# 3823. A fine and rare Secession cachepot on pedestal. Manufactured by the Julius Dressler Factory in Biela, Bohemia. Made around 1910. Fully marked with factory marks. The size is: in its entirety 41" tall. The jardiniere is 16" diameter at the top and at the base (inside) app. 9" and 15" tall. The pedestal: 27" tall with a footprint of 19". Condition: no cracks or chips. The surface is painted to look like oxydized copper/bronze, there are scratches and minor paint losses to the surfaces. The patina treatment is original. The price for this two section item is: $4,500.00. Shipping: I would feel uncomfortable shipping this item, it is large a fragile. I would rather that it be picked up from our gallery.
Tile # 6. Broad olive green leaves contrast against a green, blue and gold eosin background. 6" square. Turn of the Century. Pictured in Waltraud Neuwirth's book "Blühender Jugendstil" Book 1 on page 14. Unmarked and minor surface wear. Circa 1900-1914. {alnn} Price on Request.
# 141. A c. 1900 Zsolnay Art Nouveau cachepot. The form is pictured on the cover of "Zsolnay Ungarische Jugendstilkeramik" published in 1986 as a catalogue for the Österreichisches Museum für angewandte Kunst, Wien. Pictured on page 91. This exact cachepot is pictured on page 138 of "Zsolnay Ceramics Collecting a Culture" published by Schiffer in 1998. Form number 5792. Size: 6" tall. Condition: it is our understanding that the inside of this cachepot was very crazed with interior line cracks and there was exterior restoration to the foot area of one or more of the lower sections where the vines join the base: they have been repaired plus the previous owner had the inside painted to stabilize the cracks. There are minor scuffs to the exterior glaze consistent with use and age. This is a rare Art Nouveau (Secession) form. The dull blue Eosin glaze of the body is set off by the faintly metallic gold and liliac Eosin raised leaves and vines. P.O.R.
# 224. The Loli Fuller / Zsolnay Art Nouveau lamp; form number 6234, ca. 1900. First exhibited and designed for the Paris Exhibition of 1900. Loli Fuller an American had her own theater at the Exhibition. A huge statue of her stood at the upper entrance to the theater. Statues designed by Pierre Roche which could be used as lamps were on sale inside the theater. Fuller was directly linked to electricity in body and spirit. "She oozes brightness, she is flame itself," as described in literature of the era. Designed by Lajos Mack at the Zsolnay factory. 22½" tall. Condition: as noted in the hyperlink (click on the image for detail shots) there is a minor surface glaze abrasion to the fold of the fabric. The form represents Loli Fuller a ballet dancer of the era. The figure throws her bodice above her head and in the folds of material is set the electrical socket. There a less that half a dozen of the lamps known to exist. P.O.R.
BK3. A Secession Era Folio. Titled: "Neue Ideen Für Modernen Schmuck" "Herausgegeben von René Beauclair" "Im Verein Mit André Petitjean, Jules Armbruster, Paul Liénard, Emile Jammes, Paul F. Follot" "24 Taflen" "Verlag von Jul. Hoffmann Stuttgart" The previous quoted items are the listing on the interior cover page. inner folio cover stamp: "William Hepburn Importer & Publisher 10 E. 16th Street N.Y." This is a loose leaf folio. I would date this folio around 1905. There are 30 either monochrome (one color against cream paper) or polychrome pages. There are some duplicate numbers. I have pictured several. Size of the interior pages: 10" x 13.5"; the exterior folio is slightly larger. Condition: soiled outer cover with a crease mark in the bottom right edge; tying ribbons intact; corner edge creases to many pages and some top edge staining. Price for this collection is: $1,000.00.
Item # 4313. An electric Arts and Crafts / Art Nouveau / Secession era Chandelier. This is a period fixture, c. 1915. Size: 25" across and 14" tall. Suspended from a single chain. New wiring, old sockets that came with this chandelier. Material: bright gold brass inset with yellow slag glass panels. There is a metal wire under the lip where there was probably a beaded fringe attached; now there is a quilted gold fabric hanging from that wire. Condition: new wiring and there is small loss to one of the panels as shown in one of the photos (does not show from the outside). Price: $2,750.00.
# 5038. A Secession - Art Nouveau - form Zsolnay vase. Form number 5750 and so incised. Size: 9" tall and 4.5" diameter. Condition: surface scuffs consistent with use and age; a glaze line (unphotographable) from the top edge through one of the red glazed flowers 1.5" down into the vase, inside and outside. No restorations or overpainting. The Glaze is original. Design by Lajos Mack. c. 1898-1900. Mack made a number of designs using this undulating vine to flower decor including a plaquette that was intended to be hung on a wall. This flower and tendril form seems to be the most pleasing of this design. A form that surfaces from time to time with different glaze colorations. This one incorporates green, red, purple, and blue Eosin glazes in a well defined design. The only marks are the incised factory form number. Our item # 141 is an identical design used in a Cachepot. P.O.R.
# 248. Moonlight (Luna). To quote Eva Csenkey from Zsolnay Secession Ceramics: "The two fundamental subjects of Symbolism are the woman, the key to the figure of life; and dream, the possibility of real cognition. The brilliantly inspired, simple and forceful formulation by young Sandor Abt presents the Moon, that anvient astral deity, as the sovereign of the night, the lady of dream. The light of inner life shimmers faintly on her closed eyes and entire face. Within the horns of the Moon she becomes elevated to the sublime symbol of nature. Porcelain faience. Hollow-cast form, covered by a transparent eosin glaze which is tinted on the hair with nuanced opaque eosin glaze painting scumbled glaze running. The bust surface is intensively etchant processed. Height: 27.6 cm; width: 36.5 cm; depth: 15.5 cm. Marking: in the center on the reverse 'ABT' signature." Factory form mark {raised round mark} and incised form number 5494. Form book No. 8 Drawing No. 5494 Abt Signature. Manufacturer date: 1899. The form was exhibited at the World Exhibition in Paris and the Deutsche Kunst und Dekoration, Darmstadt in 1903. Condition: excellent. Comes with ceramic Zsolnay tile representing the moon and a velvet covered pedestal. P.O.R.
# 4678 is an Period Art Nouveau vase. In the Secession Style, turn of the century. Marks: painted gold numbers: "2282/0" "B80" "268". Size 13.33" (34cm) tall. Condition: gold loss consistent with use and age. Glaze: blue background with some silver crystallizations, running, metallic oxides and volcanic concretions. Country of origin: probably France.Ceramists in France experimenting with similiar glazes were: Dalpayrat, Dammouse, Delaherche, Doat, Lachenal, etc. Price: $850.00.
Tile # 9. These tiles because of the type of firing and glaze (Pyrogranite) could withstand use in exterior construction. Green and gold Eosin organic decorations against a marble background. Size: 6 1/2" square. Circa 1900 and 1914. (Loaned to The Rhode Island School of Design Museum for a 1997 exhibition on Ceramics) Impressed steeples and "Zsolnay Pecs" marks. Some very minor surface wear to this heavy weighted tile. Early example of Central European Abstract symbolism-a true museum example. {llnn} Price on Request.
# 4840. A Three piece Clock Garniture. Soft Paste Pottery. Size of the clock is: 19" tall x 13" wide and 7" deep. Each of the two vases at 13" tall x 9" wide and 6" deep. Condition: multiple edge flakes to the very three dimensional applied flowers and leaves. Mark with a factory incised mark. The clock itself strikes on the hour and half hour and is in operating condition. Made by Edouard Gilles, ceramist, who produced about the same time as early Galle. Circa 1868-1895. The price for the three piece set is: $3,950.00.
# 4983. A set of four rare American Dance cards from Harvard University. First is titled "Senior Spread Class of 1902" - size 3 7/8" x 5 3/4". The 1902 Senior Spread Committee included Remsen Brinckerhoff Ogilby, Richard Elbert Edwards and Frederick Indersoll Emery. Patronesses included (as noted): Mrs. William A. Bancroft, Mrs. L.B.R. Briggs, Mrs. Richard H. Dana, Mrs. Arthur Lithgow Devens, Mrs. Richard C. Divey, Mrs. Charles W. Eliot, Mrs. Woodward Emery, Mrs. F.L.Higginson, Mrs. William J. Ladd, Mrs. William Lawarence, Mrs. Thomas Motley, Mrs. M.H. Richardson, Mrs. Joseph B. Russell, Mrs. Charles S. Sargent, Mrs. N.S. Shaler, Mrs. James J. Storrow, Mrs. Barrett Wendell, Mrs. Harold Williams and Mrs. Alfred Winsor. Of the 22 dances listed in this card, the bearere had filled out all but 4. This was a very busy night for the dancer. The was a card of a gentleman as all the dances partners are ladies. The most interesting and unusual dance listed is the "Portland Fancy." Condition of this card: separated outer card. We have a duplicate of the 1902 card in about the same condition. There is a 1901 "Senior Spread Class of 1901" card in the same condition thought the pencil is missing from this card. There is also on this collection a 1904 card with the Senior Spread Committee as follows: Harold Garfield Dillingham, William Jackson Clothier and Chester Haven Robinson. Condition of this card is intact but the pencil is missing. The cover design reflects thematically art of the era with Japonisme influencing the theme. Price for the four card is: $1,000.00.
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Tile # 12. In the world of tiles this is truly a masterpiece. A reflection in water of foliage and a spider web. Blue and gold eosin glaze. Size: 6 " square. Strongly Japanesque-Aesthetic in feeling. Like a John Lafarge nocturne watercolor {1885 Met NYC} Unmarked; scratch and normal wear. Circa 1890-1914; blacked oak contemporary Secession Style Frame. {elnn} Price on Request.
Print 1. A print of 5 stylized flowers reflecting Art Nouveau Designs. Size: 35cm x 25cm. Title: "Stilisierte Plfanzen." Other notations: "Dekorative Vorbilder XIV" "E. Hochdanz, Stuttgart" "Verlag von Jul. Hoffmann, Stuttgart" "Nach Entwurfen Von H. Nisle" Condition: Small abrazions and edge tears. Color good. Price: $150.00.
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The Drawing Room is located at 152-154 Spring Street, Newport, Rhode Island 02840.We are open daily from 11 am to 5 pm and by appointment. If you have an interest in an item listed in this document or wish to purchase an item, please call us at 1-401-841-5060. (cell: 1-401-261-3980) The Partnership of Gacher and Santi has been in business for over 30 years. We have been located in Newport since 1985. All images copyright by F. Santi, 2007
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